Showing posts with label comics. Show all posts
Showing posts with label comics. Show all posts

Friday, December 14, 2012

An awesome archive of vintage educational comics

A special media-geek treat just in time for Christmas: Head on over to the Educational Comics archive at the University of Nebraska-Lincoln. The archive is chock-full of charming, fun titles such as "Crack Busters" (an anti-drugs comic that is like Reefer Madness but in comic-book form for crack), "Mickey Mouse and Goofy Explore Energy", "Stop and Go, the Safety Twins", and "The Amazing Spiderman vs. the Prodigy" (a Very Special Episode of Spider-Man presented by 'Planet Parenthood', about sex education).

Credit to WFMU for tweeting the link.

Every issue I've looked at so far is an entertaining read combining the best rasas of corny, kitchy, informative, naive, hilarious, and progressive. It's tough to pick just one issue to show, so below I have a random one to share.

BTW, I did this using ImageMagick; a simple convert command (convert $FILE.pdf $FILE.png) does the trick.

And now, sit back and enjoy one underdog classic, "Dracons Visit Earth To Study Food and the Land", (which is mis-titled as "Dragons". They're Dracons, from planet Draco).

Just from the title page, you know I had to go for this awesomeness from 1984 first. Especially since it was produced in my home state.
We meet our principles, Generic White Geek and a guy who dresses like young Bill Cosby on his way to an interview. I can understand the typical trope of having aliens speak Earthling English for reading convenience (including labeling the hull of your spaceship with your mission's purpose in a font taller than you are), but having an alien who makes English puns on his own name is just an extra helping of cheese on top of that.
Well, Cosbyman and Plucky Sidekick waste no time recycling a Star Trek trope (only it's the Dollar General store version of a transporter, using flashlights and hope) to beam down in front of a restaurant which the proprietors have sensibly named "Good Food Restaurant". Wait, it gets better!
"Well, I'm kinda busy taking orders here, in case you can't see that, so I'll push you off on my Hispanic flunky." Meanwhile, Scoop has shape-shifted into a cat, to blend in. But he (she? Can you ever tell with shape-shifters?) still carries his telltale medallion communicator, because that's a lot less obvious than just walking around as a white college student.
Scoop's plan backfires on him just two panels later. Why does a shapeshifting alien need to be afraid of a dog? Anyway, we get on with our educational exposition, with our adorable Flintstone family just stone cold chowin' down on some bugs. What a relief agriculture was!
Maria cheerfully explains the elementary concept of bread to our alien investigator, completely nonplussed that he wouldn't know this. Meanwhile, Scoop, who has so far proved himself utterly useless on this mission, rejoins us on his Community College Sophomore setting.
Yeah, this was 1984 (remember "We Are The World"?), when Americans went through a naive period where they didn't take into account the role that African politics plays in African famine. They just tried to cure world hunger by raising awareness, so that third world people could sit down to bowls of steaming awareness every morning.
Maria takes that Libertarian hard-line stance: "Poor people are poor because they just won't work, the lazy bums!" Scoop doubles his uselessness by peppering the dialog with tangent questions just when it was getting interesting.
Anthropomorphic veggies! Will the wonder never cease? Memo to Scoop: That's the third pun on your name, IT IS TIME TO STOP. No sooner do the dynamic duo flashlight over to the farm - because fuck walking - than Scoop mysteriously bows out again, possibly to morph into a skunk so he can get run over.
"Ed Itor"??? Forget fact-gathering missions, these aliens need their own sitcom. Meanwhile, Scoop, during corn harvest time, decides that this is the perfect time to morph into an ear of corn so he can talk to the other corn and find out... something. Because I guess corn talks. Never, in any scenario of substance abuse, have I ever had a hallucination this bizarre.
Alright, show of hands, who do we elect as the obvious Gilligan of this mission? That's right, Scoop, who has managed to get himself into trouble again with his shape-shifting shenanigans. Meanwhile farm-dude continues the pro-Capitalist theme by practically cackling over all the money, money, MONEY he's going to make off his corn.
Oh, God, my sides! We get a glorious chain of production as Scoop volunteers himself to become food, and part of him even gets the honor of passing through an animal's digestive tract. I sure hope there's a scene coming up where Scoops gets deposited as cow shit before he just pops up and walks away in his human form, firing off yet another groaner like "I'd better get up before somebody pooper-scoooops me, hyuk hyuk hyuk!"
We finally get the explanation for that huge jagged line across Farmer Jim's crop. And what the heck, this is informative content after all, and a mercifully Scoop-free page.
Jim and Ellen need to get back to the office, so he can show her his windbreak, if you know what I mean. And Scoop is back in the truck as yelling corn, just when we were about to forget about him. Mod Squad  deliberates but decides to take Scoop with him back into space, saving all Earth life from being doomed to recycle Scoop through our digestive tracks forever.
Ye Gods, Scoop has a superiority complex! For being a bumbling shnook who mostly got in the way when he didn't need to be saved, he expects the Dracontis Prize??? Say it for us Chief: "No, I did all the work and carried the whole story, Scoop! Me, not you! I should get the Dracontis Prize, and then I should return you to Earth to fulfill your destiny of being poop!"

And that's our story, as our hero and his Load swoop away in their marvelous Captain-Planet-like spacecraft for further educational exploration. Which, come to think of it, you never really saw Star Trek do this sort of thing, did you? I mean for the Enterprise to have "explore strange new worlds" as part of its mission statement, you never saw Kirk go interview the natives about how they lived as much as he tried to either fight them, meddle in their affairs, or slip his tubesnake into the sexiest one.

Now, wasn't that a treat? Go to that link, there's tons more where this came from!

Sunday, July 15, 2012

Drug kingpin turns out to be huge comic book fan

Why am I not surprised? For those of you who have spoken with comic book fans you're met online and thus had cause, as have I, to wonder what makes them act that way, you now have a clue:


The man with the lazy eye there is one Aaron Castro, an amphetamine drug kingpin who was busted for drug trafficking in Commerce City, Colorado. Last year he pleaded guilty to felony charges and has now begun serving his 45 year jail sentence. Which brought Federal agents into possession of his personal property:

18,753 comic books.

Speculation runs that he was just trying to launder the money, rather than that he was that ape over comics. He even stored dope between the pages sometimes. The whole collection, residue or not, sold at police auction for $125,050.

I searched in vain for an image of the collection, or a follow-up to the auction story, or who ended up with the comic books. I mean, that's a cool eight of a million there in comic books, and at Sheriff's auction prices at that. Where will they go? Will any of them end up back in the open market? Should I sniff every comic book I find from now on just to check?

Monday, February 6, 2012

We all need a little Baffling Mystery in our lives






Jason Scott, of textfiles fame, has scanned in some vintage pulp comics for preservation at the Internet Archive. The Ace Comics Collection so far includes Ernie, Baffling Mysteries, Atomic War, Andy, Western Adventures, and many more. These are from the somewhat rusty pre-golden age of pulp comics between the 1930s and '50s.

Ace Comics were a notorious pulp publisher, not to be confused with David McCay Publishing's Ace Comics title. Ace Comics published horror / detective series for the boys and love story / soft porn for the girls, and never mind justifying the art. In fact, they were an early scapegoat for the moral panic over comics that lead to the Comics Code Authority.